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Dance: Argentine Tango
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Judges' Comments:
Len: Erin, you dirty dirty girl. I absolutely loved it!
Bruno: (to Maks) You're a luck fire hydrant. I never knew you could be so bendy. That extension on that back bend was incredible. You were on fire!
Carrie Ann: That was so hot, I can't even tell you. Erin, finally a dance that showcased one of your most beautiful assets..your legs were phenomenal, you were daring, you were committed to the character even more than ever before. It was fantastic...it was truly beautiful.
Dance: 80's Rumba
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Dance: Waltz
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Dance: Futuristic Paso Doble
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Dance: Viennese Waltz
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Judges' Comments:
Len: Niecy, I'm pleasantly surprised. It had a lovely floaty quality to it, your posture was good, it had nice movement about...your arms...I thought you had a lesson from Harold Wheeler. I must say your carriage was gorgeous...in fact it went so high IamI am surprised you could hear the music.
Bruno: Niecy, I know in the Viennese Waltz you are supposed to cover the dance floor, but about polishing it, I'm not sure. I can see my reflection on it. Very very pretty at the beginning: great movement. You have to watch it though, beacusebecause at time you were swinging you arms. You look like you were chased by a swarm of wasps....it was a tiny little thing in an otherwise good performance.
Carrie Ann: We're heading into the semi finals next week and we're watching everything. We're looking for those who are gonna make it. There was a little bit too much push and pull going on. I felt like your body weight was being pulled and pushed. Your body contact was fantastic, but the push and pull was strange and I thought the transitions were not quite there. You really need to work on your transitions if you want to continue forward because I love watching you dance. There is so much joy, but really, the transitions are what make a superstar.
Dance: 90's Paso Doble
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Dance: Tango
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Judges' Comments:
Len: Well, you know learning one dance in a week is tough, but learning two dances in a week really shows up any imperfections, because you haven't got the time to polish and refine the dance....you gotta get on with the second dance. Unfortunatley,Unfortunately, that's what happened Chad. I thought you had attack and good movement. It needed a little bit more polish: a bit more refinement.
Bruno: What you did, you really went for the emotional involvement, and that is good in this dance: it requires that, but obviously it has to be slicker. Tango is a very precise dance and sometimes your footwork and your frame and your hold went a little bit. But the emotional commitment was right.
Carrie Ann: I loved the attack: I loved the attention. There is definitely something growing here, and I see great potential, and it's still coming out and each week I see something more. But your posture in this one was still funky and without that base it's really hard to get the dance to come together and be a unit, so that is what's missing. So next time in your Jive, I want to see even more; I want to see that same attack but a lot more fun.
Dance: 60's Jive
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Dance: Foxtrot
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Dance: 50's Paso Doble
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